Premise: (Inspired by a visit to the Ringling Museum’s collection…) A study of the geochemistry, cultural history, and aesthetics of Scholar’s Rocks (Gongshi) (also Korean suseok) and Japanese suiseki, with a dose of 3d-printing and sculptural practice. A framework to think about issues of generative/AI artwork, the boundary between human practice, nature, and chance in art, etc. Topics include…

Some discussion topics

  • History of gongshi, etc.
  • Aesthetic theories of gongshi
    • Gongshi as a subject for painting, including contemporary movements
    • Gongshi as a proto-readymade, with reference back to Duchamp’s art meta-project of curation and taste
    • How does this relate to generative AI as a natural process that creates items that are human-curated and modified?
  • Geochemistry: How is it that natural rocks are formed? Basic petrology
  • Computational sculpture and generative design, in the flavor of Mandelbrot—posit some simple generative processes and see what looks cool. Maybe this is a way to sneak some computer programming into the course

Some activities

Reading list

Allies and resources

Field Trips

Fordham stuff